What if we evaluated our lives not by the answers we give but
by our questions? The deep things we ask ourselves if we are brave
enough to try. Eric Bibb puts those queries to music, singing, “Am I the
change I long to see?”
It is easy to point to Eric’s accomplishments. A five-decade career
recording with folk and blues royalty. Two Grammy nominations and
multiple Blues Foundation awards. A following that not only crosses
borders, it crosses continents. But what Eric Bibb is after is much,
much larger than that.
To meet Eric is to be struck by both his humility and his warmth.
There is no pretense in him. He is remarkably centered, his convictions
based in the values of the civil rights movement of the sixties. Eric’s
music works in service of that dream, holding out a hope for a new
world. He challenges us to do better, to reach higher, and strive
harder. Like Mavis and Pops Staples, he wants to take us there.
Eric carries this mantle honestly. His father, the late Leon Bibb,
was an activist, actor, and folk singer who marched at Selma with Dr.
Martin Luther King. Eric’s youth was spent immersed in the Village folk
scene. Names like Dylan, Baez, and Seeger were visitors to his home. He
was deeply influenced by Odetta, Richie Havens, and Taj Mahal. And he
has synthesized all of that into his very own style.
Eric is an artist who preserves the best traditions of pre-war blues,
even while he expands his own oeuvre. Marketing tags him as a bluesman,
but troubadour is the word that best describes him. He slides neatly
between genres as he builds bridges with musicians from the UK and
Europe, pickers from North America, and Kora players from West Africa.
His collaborations with the likes of Michael Jerome Browne, JJ Milteau,
Danny Thompson, and Habib Koite have produced music that is both
ecstatic and exquisite.
Fortunately for us, Eric shows no signs of slowing down. He has, of
late, been touring a stage show he developed entitled Tales of a Blues
Brother. The program intersperses photographs and film clips with
gripping oral tradition and rapturous song, tracing Eric’s personal
journey through the heady days of the sixties folk music and civil
rights movements. In one moment he manages to entertain, educate, and
motivate us. Eric provides a grounding in the truth which we desperately
need in these days of rancor. A vision we need in a world of divisive
rhetoric and veiled allusions to “the other.”
Of course, there is more to him than even those laudable ideals.
Proud father of six, and husband to Ulrika Bibb (a fine singer in her
own right), Eric brings a humanity and sense of humor to his work.
There are treasures here for
everyone.
Eric sings of the Freedom Train. He believes it. He lives it. He
wants to take us on that ride. I got on the Bibb train in 2008. Maybe
you already have your ticket. But if you haven’t, no need to worry.
There’s still time to get on board.
Joe McSpadden
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