Barry Miles - Scatbird

“Scatbird" was released in 1972. Barry Miles known in some circles as “The Father of Fusion” created on this release an early true fusion statement very much representative of the music movement he developed under the name of "Syncretic Music" between 1964 and 1965, which became a chilling influence for many artists of the 70’s such as Return To Forever, Mahavishnu Orchestra and Al DiMeola who made Miles an interactive part of his band for many years. This release was one of the pioneers of the Fusion movement that would follow. A couple of tracks "Scatbird" and "Latina" feature Miles vocalizing scatting wordlessly along with his keyboards, kind of allusive to the album title, but the real gems on this album are the fusion tracks "Suburban Shuffle", "Life-Cycle", "Arrows and Eagles" (sampled here) and "Skeleton Dance", which feature Miles at his best and a very young explosive drummer Terry Silverlight (Miles’ younger brother), who apparently was only 14 at the time of this recording. Musicians are: Barry Miles on keyboards, John Abercrombie on guitar, Frank Tusa on bass and Terry Silverlight on drums.

Track Listing:

1. Scatbird
2. Suburban Shuffle
3. Lyfe-Cycle
4. Arrows and Eagles (sampled here)
5. Skeleton Dance
6. Latina
7. First Love

Funk Factory (feat. Michal Urbaniak & Urszula Dudziak

Funk Factory was released in 1976 on Elektra Records is the creation of famous Polish violinist Michal Urbaniak and his wife Urszula Dudziak in collaboration with the main cast of musicians who collaborated on Urbaniak’s “Fusion III”. This production seems to be a preview of what Urbaniak had in mind for his musical concept and career for the remaining of the 70’s and part of the 80’s. The vocal tracks (with lyrics) mark a drastic departure not only from the Columbia label but from his musical concept of the Fusion trilogy and pave the way for later funky-vocal oriented albums such as “Body English” also from 1976 and “Ecstasy” from 1978. Urbaniak’s high-flying electrified and modified violin sound is still as present as before but Urszula Dudziak’s wide-range vocals and sound effects are less of a driving force as they have given way to the somehow uneventful singing with dull lyrics. There are even a couple of tracks where Urbaniak doesn’t even seem to play. Nonetheless, the rest of the album, which is mainly instrumental, maintains the concept of the Fusion trilogy since at times these instrumental compositions sound like outtakes from those sessions and could easily be paired against some of Urbaniak’s best fusion, thus proving the point that most of any production by any artist contains material, such as the song “Funk It” (sampled below), which is worth considering if taken out of context from their original releases. The cast of musicians continue to stretch and provide further boundaries into improvisation and rhythmic accompaniment in a funkified manner. Personnel are: Michal Urbaniak on violin, Vi-tar and saxes, Urszula Dudziak on vocals and percussion, Wlodek Gulgowski on keyboards, Anthony Jackson and Tony Levin on bass, Steve Gadd and Gerry Brown on drums, Bernard Kafka on vocals, and John Abercrombie and Barry Finnerty on guitars. This album has been reissued thanks to the re-issuing label Wounded Bird Records.

Track Listing:

1. Watusi Dance (Instrumental)

2. Horsing Around

3. Rien Ne Va Plus

4. After All the World Goes Home

5. Next Please (Instrumental)

6. The Music in Me

7. Funk It (Instrumental) (Sampled Above)

8. Lilliput (Instrumental)

9. Sinkin' Low (Instrumental)

Buy Funk Factory at Amazon or Wounded Bird Records, or

Michal Urbaniak-Fusion III

Michal Urbaniak's famous Fusion trilogy came to an end with his third recording for Columbia Records, “Fusion III” released in 1975. In a way it solidified Urbaniak’s sound combining his high-flying electrified and modified violin, his wife, Urszula Dudziak’s wide-range vocals and sound effects with compositions influenced by Eastern European ethnic music patterns and melodies. This time all these elements receive an amazing funkified dose of musicianship from Urbaniak’s American counterparts as the original Polish line-up has been replaced by an amazing cast of New York musicians who stretch even further Urbaniak’s boundaries into improvisation and rhythmic accompaniment. Personnel are Urbaniak on violin and violin synthesizer, Urszula Dudziak on vocals, percussion and synthesizer, Wlodek Gulgowski on piano, organ and moog, the funkified rhythm section of Anthony Jackson on bass and Steve Gadd on drums replaced by Gerry Brown on “Bloody Kishka” and “Roksana”, Bernard Kafka on voice on “Stretch” and the amazing guitars and solos of John Abercrombie, Larry Coryell and Joe Caro who add a twist to Urbaniak’s Fusion sound, which never incorporated guitars before. Probably frustrated awaiting for Sony/Columbia to reissue it, this fusion gem has been reissued by the artist himself on his label UBX by re-mastering it from vinyl. The album as sold on iTunes is also by UBX but I have no way of knowing if it is taken vrom vinyl. Wounded Bird Records did issue it on CD and it is from the original tape (see it on Amazon). Regardless of which one you choose, it's worth it!!

Track Listing:

1. Chinatown, Pt. 1

2. Kuyaviak Goes Funky

3. Roksana

4. Crazy Kid

5. Prehistoric Bird (sampled above)

6. Bloody Kishka

7. Cameo

8. Stretch

9. Metroliner

10. Chinatown, Pt. 2

Buy it at CD Baby or Amazon or